He moved there from St Martin's Street, Leicester Square and remained there for the rest of his life. Overview ↓ Biography ↓ Compositions ↓ Credits ↓ [5] Burney's first tour was translated into German by Ebeling, and printed at Hamburg in 1772. He had a wide circle of acquaintance among the distinguished artists and literary men of his day. (See Roger Lonsdale, Dr Charles Burney, a Literary Biography, Oxford 1965 pp 495–497.) [11] His daughter by his second marriage, Sarah Burney, was likewise a novelist. The present state of music in Germany, the Netherlands, and United Provinces. Charles Burney (1726-1814), was the foremost music historian of his day. On his return he devoted every moment he could spare from teaching to his General History of Music, published between 1776 and 1789 in four volumes. General History of Music by Burney, Charles-ExLibrary. Bach, the most notable of J.S. The Dissertation on the Music of the Ancients, in the first volume of Burney's History, was translated into German by Johann Joachim Eschenburg, and printed at Leipzig, 1781. Burney’s General History of Music established him as the foremost writer on music in the country and contributed greatly to burgeoning interest in “ancient music.” Yet his was not an antiquarian’s history but a readable account catering to amateurs as well as professionals. Burney's library was sold at auction by John White of Westminster beginning on 8 August 1814.[9]. Burney wanted to write something which would appeal to and inform the musician and the general reader. 2 (c. 1750), XII. From this union he had a son, Richard Thomas, and a daughter, Sarah Harriet Burney, who became a novelist. Burney wrote some music for Thomson's Alfred, which was produced at Drury Lane Theatre on 30 March 1745. Encyclopædia Britannica (11th ed.). After his death in 1814, Burney's daughter Frances destroyed many manuscripts, including his journals, and obliterated passages in others. Charles Burney was well known as the author of a General History of Music, 4 vol 1776–1789 and two travel diaries recording his Musical Tours collecting information in France and Italy, and later Germany, 1+2 vol, 1771 and 1773, as well as the Commemoration of Handel, 1785 and his Musical Memoirs of Metastasio, 1796. In 1760 he returned to London in good health and with a young family. Free shipping. Corrections? In 1769 he published An essay towards a history of the principal comets that have appeared since 1742. The University of Oxford honoured Burney, on 23 June 1769, with the degrees of Bachelor and Doctor of Music, and his own work was performed. Burney wanted to write something which would appeal to and inform the musician and the general reader. The General History, his most famous work, was published in four volumes between 1776 and 1789 and is still of great value today. History of Music. Or, The journal of a tour through those countries, undertaken to collect materials for a general history of music Contributor Names Burney, Charles, 1726-1814. Many of the following refer to Burney's music articles in Rees's Cyclopaedia, (1802–1819). His first music books, The Present State of Music in France and Italy… (London, 1771) and The Present State of Music in Germany, the Netherlands, and the United Provinces… He left London in June 1770, carrying numerous letters of introduction, and travelled to Paris, Geneva, Turin, Milan, Padua, Venice, Bologna (where he met Wolfgang Amadeus Mozart), Florence, Rome and Naples. Updates? In 1744 he began a musical apprenticeship with Thomas Arne at Drury Lane, in London, where he later collaborated with David Garrick. Charles Burney (1726–1814), was the foremost music historian of his day. Charles Burney. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. In July 1772 Burney again visited the continent to do further research, and on his return to London published an account of his tour under the title The Present State of Music in Germany, the Netherlands and United Provinces (1773). The Letters of Dr Charles Burney (1751–1814) General Editor: Peter Sabor. Charles Burney (1726–1814), was the foremost music historian of his day. [2] Surviving papers are widely scattered: in the Osborn Collection at Yale University, the Berg Collection at New York Public Library, the British Library and the Bodleian Library, Oxford, and in smaller public and private collections. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. 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